Nikola Ivanov's artistic practice focuses primarily on various forms of static and dynamic technical images, concentrating thematically on issues related to the phenomenon of temporality, historical memory, and biopolitics. He often draws inspiration from historical cultural manifestations, such as significant works of art or the findings of contemporary social science research.
In the exhibition project PHILOSOPHICAL CONGRESS 1973, prepared for the House of Arts in Ústí nad Labem, the author draws inspiration from the now legendary speech by Czech philosopher Jan Patočka at the 15th International Philosophical Congress in Varna in 1973. Patočka, who did not receive official permission from the Czechoslovak authorities to participate in this congress, traveled to Bulgaria privately and, as a member of the International Philosophical Society, attempted to deliver a presentation there. In it, he focused on issues related to the danger of science becoming a mere tool of technology and the fact that a society based on technical development and functioning loses its sense of human freedom, responsibility, and ability to ask fundamental questions. His speech was interrupted, not included in the proceedings, and marked the beginning of a ban on his publishing and travel activities. This was one of the manifestations of the so-called normalization processes through which the communist regime re-established its power after the invasion of Czechoslovakia by Warsaw Pact troops in 1968 and suppressed expressions of freedom and plurality at various levels of society. After this intervention by the communist regime against freedom of thought and public discussion, Patočka continued his unofficial philosophical and lecturing activities in the form of apartment seminars, and in 1977 he became one of the first three spokesmen for Charter 77, which criticized the Czechoslovak communist regime for failing to respect human and civil rights, to which it had committed itself at the Conference on Security and Cooperation in Europe (CSCE) in Helsinki.
Jan Patočka was also the first victim of the communist regime's repression of the signatories of Charter 77, dying on March 13, 1977, after several hours of interrogation. Nikola Ivanov approaches the topic of Jan Patočka's lecture from several angles, focusing not only on current issues such as the threat to civilization posed by technological development or the danger of the destruction of democratic society and the restriction of human rights and freedoms, but also on a very personal reflection on his relationship to Varna – the venue of the international philosophical congress – where part of his family comes from and which has been part of his life experience since childhood.
Nikola Ivanov's project for the House of Arts in Ústí nad Labem, in the form of a multi-channel video installation, combines a reconstruction of Patočka's speech and the circumstances surrounding the incident with a personal perspective that allows us to see their significance and impact in a different light. The author works with archival materials and his own visual material, composing them into a whole that explores the tension between technology, society, and human experience, and attempts to capture Patočka's criticism and its relevance today.
Curator
Michal Koleček