For visual artist Jiří Thýn, the primary means of expression is photography. However, he is constantly exploring this medium, analyzing and re-evaluating it, often on both a conceptual and more intuitive level. His photographic works always touch on themes that are personally relevant to him.
In his earlier series, for example, he made reference to important sculptors of the last century, using their sculptural work as a model or starting point for testing the limits of photography. Through multiple exposures of Gutfreund's Cubist sculptures, he explored themes of space and abstraction. Alongside the works of Alina Szapocznikow, he reflected on the physical (one might say, injurious) intervention into the surface of the photograph and the relationship between this surface and a more complex, sculpturally constructed installation. At other times, he paints on photographs, adds text, cuts into them surgically, layers materials, and so on.
In his latest series of works (LOVE LIFE and UGLY NOW), he continues to deviate from conceptual principles and focus more on immediate emotions, capturing fleeting moods through spontaneous, relaxed gestures in digital images. By merging and connecting elements, he creates new visual patterns that reflect feelings from lived experience.
Working with photographic material, whether found or original, is a long-standing and concentrated journey for him, where he integrates visual stimuli into his conceptual space. He continues to deconstruct, modify, and engage in a dialogue with these stimuli, presenting them in a reworked form. The photo-editing tools in computer programs, which Thýn deliberately uses against their intended function, allow him to introduce unexpected elements into the photographic world—moments that are a direct response to his internal state.
Thýn’s latest works may come across as heavy in the context of a larger installation, as his current feelings and moods are often influenced by global issues. Rather than providing answers, they confront, provoke, and open up possibilities for alternative perspectives.
The installation at the Ústí nad Labem House of Art consists of lightboxes, large-format photographs, glass photographs, and video. It blends found and modified photographs with original digital drawings, mixing specific scenes with abstract ones. Thýn combines seemingly disparate scenes into a unified image, revealing underlying questions upon closer inspection. Themes include the carrying of a lifeless body, a praying mantis devouring a butterfly, a curious touch to an open wound, infinity, flames, eruptions, and fear. In the slow flow of a massive glacier's meltwater, we might ponder: Does hope have an end?
Jiří Thýn (1977) is a graduate of the Academy of Arts, Architecture and Design in Prague (UMPRUM), where he studied under Pavel Štecha and completed an internship at the Academy of Fine Arts in Prague, along with several international scholarship programs. Thýn has carved out a significant career for himself on the domestic art scene through a series of solo exhibitions, with his works also being prominently featured in group exhibitions across Bratislava, Zurich, Budapest, London, New York, and Chicago. His academic contributions include leading the Studio of Post-conceptual Photography at Prague's Film and TV School of the Academy of Performing Arts (FAMU) and imparting his expertise at the Faculty of Art and Design at Jan Evangelista Purkyně University in Ústí nad Labem. As of this winter semester, Thýn will embark on a new role as co-director of the Studio of Fine Arts IV at UMPRUM in Prague, in collaboration with photographer Václav Kopecký. Acknowledged as a finalist for the Jindřich Chalupecký Award in both 2011 and 2012, Thýn has recently seen the release of his first monographic publication, From Now On Everything Will Be Beautiful, under the Artmap imprint. He is currently represented by the esteemed Prague gallery hunt kastner.
Curator Team
Anežka Chalupová
Vít Novák
Production
Kristýna Císařová
Zuzana Doleželová
Dominik Kobeda
Markéta Müllerová
Installation
Jan C. Löbl
Jáchym Myslivec
Štefan Pecko
Karim Tarakji
tým DUUL
Graphic Design
Marek Fanta
