This major group exhibition exploring the entangled histories and ongoing realities of movement — of people, cultures, objects, and ideas — across regions historically shaped by socialism and its aftermaths. From the banks of the Dnipro in Ukraine to the Elbe in the Czech Republic, the exhibition traces trajectories of displacement, resilience, and artistic response amidst political upheavals, war, and systemic transformation.

The growing popularity of digital technologies, such as 3D animation, virtual reality, or artificial intelligence, has recently reignited the discussion about the Uncanny Valley phenomenon. This concept raises several questions: In what context must bodily disfiguration be presented to trigger the "uncanny" effect? Is bodily deformation the main source of the feeling of distress, or is it just one of its trig? H

The short audio essay Echo Interval, a site-specific sound walk, takes the audience briefly out of the House of Arts to return them to the gallery in an altered sensibility. Composed from site-specific field recordings and spoken word, the audio is in a way an exercise in listener perception.